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Mike Shinoda News10/15/2021
Shinoda discussed Linkin Park's back catalogue in a new interview with Anthony Fantano, and which one of their seven albums seems to polarise fans the most. Mike Shinoda has revealed which Linkin Park album he believes to be the most divisive among the band's fans. Mike Shinoda on the album that split the Linkin Park fanbase in two.Becko’s sound pulls from multiple corners there’s influences from EDM, hip-hop, trap, and metal here so there’s something really here for almost everyone.How Mike Shinoda Found a New Creative Community Online. In fact, he produced the title track live on Twitch earlier this year, giving Becko some much-deserved attention. I, too am running for president Advertisement.Linkin Park’s Mike Shinoda, that’s who.
A 75-second clip of the song, accompanied by Shinoda’s animation of artwork by contemporary artist Cain Caser and the musician himself, was sold in an. How 'Two Minutes to Late Night' Created the Web's Wildest Quarantine Covers SeriesLast Friday, Linkin Park cofounder Mike Shinoda became the first major-label artist to launch a single the bouyant Happy Endings, featuring iann dior and UPSAHL via NFT auction. Unlike many of his peers, the multi-talented Linkin Park co-founder didn. ![]() ![]() Mike Shinoda News Free Creative TimeYou have to base it on your well being and being aware of yourself.What did you want people watching to take away from the streams? First and foremost, I wanted to keep the community together. Right now, I need a little more free creative time, so Mondays and Wednesdays I’m taking off. Last year in particular, that was my mission statement. I can say to myself, I’m going to go on 10 to noon every weekday, and make something new from scratch. Introducing something that I can control was a positive thing. For people that want to have an opportunity to be heard, I can be making something and they can make suggestions, or say it sucks, or do whatever.It’s almost like a production master class. For people that just want to be connected, they get that. But I really wanted to do it this way because it felt like, for the average person who doesn’t get to take a look into the makings of songs, they would get that look. It’s just not for everybody. The truth is that because of the format and the length of time, most people don’t want to devote that much time. Free sticker template printableIf the only thing you ever do is use this folder of snare sounds and this folder of 808s –– to me, I can’t imagine doing that for two weeks. Then, when you’re faced with different problems, it becomes more fun. The more tools you have, the more ways to attack a problem you have that you know you’ve tried and you know they work. Every song requires a different –– and the fans make fun of me for talking about it –– toolbox or tool kit. They’re like, “Aren’t you afraid you’re giving away all this secret material? You’re giving away the secret sauce.” And I was like, “You can’t.” There’s no measurement. I shouldn’t say all, because some of them may not, but most of those will eventually come out and it’ll be interesting to see where all of these artists go from here. I’ve done about 30 songs with other vocalists on the stream and only about 10 of them have come out so far. As an experienced musician, what’s the most fulfilling part about working with developing artists in that way? It’s funny because that all kind of remains to be seen. Let’s run these through actual physical hardware gear.”You’ve been producing fans’ demos on the stream. Let’s run those through plugins. Let’s turn half of them backwards. Balloon pump basics for nursesBut seeing what he’s done, his album just came out and he released it as an NFT the art is spectacular.Fans who want to be considered for the project post their demos on Twitter under the hashtag #ShinodaProduceMe. Wax//Wane was one of the first artists that I produced on the channel and his aesthetic was already pretty developed on his Twitch channel before I produced. It’s fun to see where they go as they develop it and their aesthetic choices. I’ve got my own thing going on. This is their art, this is their career and their brand, and I’m not going to manage their thing. I don’t want to have any part in any of that. The first thing I’ll do when I produce is I’ll mute the piano and I can hear, stylistically, the way the drums should complement the vocal, the way different soundscapes are going to feel. I wouldn’t change anything about the melodies. I wouldn’t change anything about the lyrics. I know that the song is mostly there. I might hear a song, but it’s just piano and vocal. Is there something there that I connect to, or a vision of what it can be that I see that maybe the artists can’t see, or maybe the artists just can’t make? Usually it’s more of a feeling than it is a specific idea. On one song, I had this track going and I couldn’t figure it out. In those cases, it’s really great to do it live on Twitch with fans because I can pull them. In the second case, it’s much more loose and confusing. Other times, I just start to experiment until something sticks. For whatever reason, I would do stuff with people and a lot of it would just kind of die on the vine. I went through this phase where I was writing and producing stuff for other artists for a little bit, and none of it came out. It’s not like people are entering a contest and winning your production. So I did all three and I was like, “OK, you guys, you choose which one of these three things sounds like the way to do this song.”That’s a fair system. Then, I did a live kind of pop-rock bass, I did almost like a George Clinton keyboard bass, and I did 808s. For example, if I get a vocal in, I have a chain of plugins that I just click and drag onto the vocal. In the stream, I streamline everything down to the fastest possible solutions. Even if the only version of that song’s existence is that two hours on a Thursday, at least fans can give it the attention it’s due and it’s cataloged in time out there on the internet.When you’re sitting down to work on something for yourself, or for another artist, what is it from the stream time that bleeds into that solo time? Honestly, the one thing I do worry about is that it’s making me too impatient. In my head, if I’m going to be working with other artists anyway, and I have these songs that don’t ever come out, I know fans at the very least would love to hear them. Off stream is when you have the opportunity to really explore the space and come up with something unique and unusual.Tell me about creating your latest single “Happy Endings” with Iann Dior and Upsahl. I have to reset my expectations and reset my brain. When I get off stream, I’m still kind of in this habit of doing things quickly. But in order to keep the stream moving, I do things quickly. Everything is much more slow and meticulous when I’m off stream. If I was doing it on my own, off stream, I’d think about the vocal and individually select plugins that I think will work well. Back in the day, we did a worldwide scavenger hunt for singles with Linkin Park. Eventually, I crossed paths with Iann and got him on the track.Why did you decide to release it initially as an NFT? I always like to do something different when I release something new if there’s an opportunity to do something interesting. It was just kind of laughing at how you couldn’t stop coming up with examples and so we just channeled that into the song. We were just like, “Wow, this has been an epic year.” But it’s all about your attitude, right? Our attitude was not negative and bad. We were joking around about what a crappy year it had been, and the year wasn’t even over. Also, it’s a great marketing tool. Pushing the envelope with it and doing new things for me is just kind of fun.
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